Tree of Color
| abstract A5 watercolor tree with soft pastel washes
2024, Watercolor on A5 paper 
About the Artwork
Tree of Color was born from a moment of pure improvisation, letting water and pigment find their own path on the paper. The artwork is less a depiction of a specific tree and more the memory or feeling of one. Its form materializes from a misty blend of colors, suggesting a scene viewed through rain or a dream. This piece celebrates the unpredictable beauty of the watercolor medium and the creative freedom found in letting go of control and embracing the process.
Artwork Details
- Artist: Diana Andriot
- Series: Expromptivism
- Genre: Abstract Landscape
- Medium: Watercolor on paper
- Format: A5
- Size: 5.8 × 8.3 in (14.8 × 21 cm)
- Year: 2024
- Signed: Yes, recto
- Shipping: Ships from Estonia
Shipping
International Shipping: I ship my artworks to the UK, USA, all EU and EEC countries, and many other destinations worldwide. If you have any questions, please contact me, and I will do my best to arrange a delivery for you.
Customs: For orders outside of the European Union, please be aware that your purchase may be subject to customs duties upon arrival. These charges are not included in the shipping cost and are the responsibility of the customer. I will ensure all customs forms are filled out correctly to help minimize any potential fees in line with international shipping regulations.
Meet the Artist
Diana Andriot – Fine Artist & Visionary Creator Diana Andriot is a visual artist based in Tallinn, Estonia, whose work bridges realism and abstraction. A graduate of the Estonian Academy of Arts, she creates unique one-of-a-kind artworks rooted in authentic expression, from detailed portraits to abstract pointillism that captures the subconscious mind.
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Explore the Expromptivism Series
Expromptivism is a form of art rooted in improvisational drawings and paintings, born from the habit of beginning without a preconceived plan. The creative process starts with a single mark that dictates everything that follows, making the act of drawing itself the central point. Each line and hesitation is a record of a decision made in the present, emphasizing the visible hand of the artist. The resulting pieces are less about illustration and more about trusting the creative impulse and the way the hand tells the eye what to see. These works wear their making proudly, rewarding repeated looking as they turn practice into objects and improvisation into presence.
